Stock footage
I’ve been a Filmsupply-represented filmmaker for twelve years. Between client jobs I shoot my own series, mostly around Dallas, and Filmsupply licenses the footage to agencies, brands, and studios. This page collects the series and the biggest place one of them has run.
Meta: The future is for everyonea shot from my family series, in Meta’s 2026 brand film

In 2026 Meta licensed a shot from my series of a young family at home with their baby for its brand film The future is for everyone. The shot comes up at 0:51. The film has more than 231 million views on Meta’s own YouTube channel, and it ran on broadcast TV, which is where I found out: I was watching regular television when my shot came up.
The footage is from my Life & Family work: real families in their own homes, available light, documentary in feel. That honesty is what a brand film like this needs, and it is the same approach I bring to people on commercial sets.
About Filmsupplywhere the footage lives
Filmsupply calls itself the premier licensing agency for cinematic footage. It represents a curated roster of filmmakers, including people from production companies like Missing Pieces, Biscuit, and Anonymous Content, and its catalog of exclusive footage is used by agencies like Anomaly, Ogilvy, and Wieden+Kennedy, brands like Apple, Nike, and Tesla, and studios like Sony Pictures and Warner Bros. Those are Filmsupply’s clients across the whole catalog, not a list of who licensed my clips.
It is part of FM, the same family of companies as Musicbed and Stills. For buyers, Filmsupply’s team will also research footage against a brief and drop clips into an account within one business day.
Stock series · 2025
Heist
A heist told in pieces: a hand working a vault wheel, dirt bikes moving through a fog-filled warehouse, a headlight cutting the haze. Low-key, slow, and built for noir, so an editor can cut a break-in out of it.



Stock series · 2025
Boxing
A motion study of a boxer: bag work, the ropes, and sparring, shot with slow shutter and flash so the punches smear and then snap. The ring stays dark, lit by a row of overhead lights.



Stock series · 2024
Sports
Basketball and beach volleyball, shot from straight overhead and from under the rim: a layup dropping into the hoop, a player rising to the ball on the sand, and the view up through the chain net.



Stock series · 2022
Office
Modern office scenes in mixed daylight and practical lamps: a meeting that ends in a laugh, late work at a desk, and hands on a phone over a keyboard.



Stock series · 2024
Cinematic VR
People inside virtual reality, an original series for Filmsupply: a man pulling a headset on in teal light, and another reaching into a world only he can see.


More serieseach with its own page
Licensing or a custom shoot
To license a clip, browse my shoots on Filmsupply; licenses run through them. If the footage you need does not exist yet, I shoot custom work as a Dallas director of photography, and my rates are published.







